When Pluto is forced to wear a dog cone, Mickey tries to make him feel better by wearing one himself. But it does not go well for him.

Mickey travels through London searching for the perfect playing spot for his one-man band.

Mickey and Minnie visit the wishing well and wish for eternal happiness. However, the villainous Pete has other ideas and makes his move to steal all the wishes.

Although the storm of the century is approaching, Mickey is still excited about his movie night. However, when he realizes he has no movies snacks, he must brave the elements to get them.

Mickey is excited and ready for a great day at the beach. Unfortunately his car is not and a hilarious battle between the two ensues.

Mickey struggles with his fear of scary movies, but concedes to go to one with Minnie. However, when he gets to the theater and the movie starts, the real battle begins.

In this Spanish themed episode, Mickey celebrates his birthday while Minnie and Daisy perform a duet and Donald's mariachi band plays. However, chaos ensues when a rowdy group of piñatas crash his party.

A submarine voyage to the bottom of the ocean turns dangerous when Mickey, Donald, and Goofy have to rescue Professor Von Drake from a giant sea creature.

After spending the day riding, Mickey and Minnie stop off at a local bar for a drink. Little do they know it's a hog biker bar and they aren't impressed by Mickey's ride.

Mickey Mouse finds himself incapable of telling anyone no when they want to borrow anything. After it becomes a real problem, he turns to Donald for help.

The guys head out together on a camping trip. However, Donald and Goofy's idea of roughing it is very different than Mickey's.

When Mickey and Minnie head to the Russian ballet they find themselves in the middle of the performance.

Mickey's itchy couple's sweater prevents him from enjoying his date with Minnie.

When Mickey's new desert is a big hit at the local bazaar, the other merchants don't take kindly to him and attempt to eliminate his new found business.

When a thief begins stealing every sock in town, Minnie makes it her personal mission to apprehend the criminal behind it.

While spending a day on the Hawaiian beach with Donald and Goofy, Mickey struggles to compose his perfect melody and finds help from an island spirit.

Mickey leads Minnie on a treasure hunt in the Valley of the Tombs, but when the two are separated the adventure might prove too stressful for Mickey.

Minnie, Daisy, and Clarabelle are excited about attending an exclusive restaurant for lunch, but the maitre d' has no record of their reservations.

Mickey leads Donald to Professor Von Drake's machine in another effort to cure his temper, with chaotic results.

Mickey explains to two dirty playing basketball teams the importance of good sportsmanship as he takes a look in flashbacks of the good qualities that have been displayed in many sports since they first began.

It's touch-and-go for Donald when, instead of heading south for the winter with Daisy and all the other ducks, he insists on staying with Mickey and the gang to enjoy all that Christmas has to offer.

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)