A cable car in San Francisco careens out of control, and it's up to Mickey and Minnie to stop it.

Minnie's apartment building is burning and Mickey attempts to save her. But first, he must also tend to every single one of the building's other tenants as well.

Minnie puts some new perfume in preparation for a date with Mickey, but it enchants the whole city.

Mickey fights for a seat at O Futebol Classico.

Mickey, Donald and Goofy visit a science museum, but Mickey and Goofy are shrunk down to molecule size by a shrink ray and then are accidentally swallowed by Donald.

Goofy's grandmother visits Mickey, but there's more to this sweet old lady than meets the eye.

Mickey is eager to ride on Donald's sailboat, but Donald reveals a shocking secret: he doesn't know how to sail.

What is supposed to be a routine trip for Mumbai rickshaw driver Mickey Mouse driving a jolly elephant passenger to a mountain turns out to be the journey of a lifetime with a very special guest.

Mickey must rid the apartment basement of a monster.

Mickey and Pluto engage in a routine space mission, but then, at the least opportune moment, Pluto needs to go to the bathroom.

When a monkey swipes Mickey's clothes before he is to give his friends a cruise through the jungle, the gang mistakes the monkey for Mickey and vice-versa.

Minnie tries to get a windmill running to save a flower in her garden.

Goofy has fallen in love, so it's up to Mickey and Donald to help him be presentable.

Minnie inadvertently feeds Pluto so many dog treats that he becomes overweight.

Mickey and Donald struggle to help Goofy at a job interview.

Mickey's red-hot temper entices a bull to chase him down the streets of Pamplona, Spain.

Mickey goes to buy a bottle of lemonade during the Grand Prix and must keep it safe as he takes it to Minnie.

Mickey tries to find the perfect flower for Minnie, which proves to be no easy task.

Mickey enters a rodeo contest to bail his friends out of a bad situation.

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)