Sara and her nanny Yarisa have a relationship that seems to transcend their class conditions: they are the closest thing to a daughter-mother, but an accident will test their intimate loyalty and the innocent illusion of never separating.
Isabel and her family take possession of her mother’s villa in rural Mexico where they reconnect with their long-time domestic worker Mari, whose sister has disappeared.
Julia is a mother, or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn apart by the widespread violence in a country waging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.
Tangled in a troubled marriage, a frustrated couple finds hope in a watch-based app that rewards good deeds — until unhealthy obsessiveness takes over.
Will finds some videos on the internet, of clashes of armies against aliens. The images look very real. He share's this information with a virtual friend, a frustrated journalist, who immediately sees an opportunity to boost his career....
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.